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Art Art history The Victorian view of same-sex desire. Santa Fe Film Festival. While critics might not have been able to come out and frame or label these works as homoerotic or deviant, they nonetheless frequently got their knickers in a twist about them. I think he goes further than others at the time. Barlow points out that reactions to the highly sensuous style of the Pre-Raphaelites and the Aesthetic movement — all those languorously draped youthful bodies and heavy-lidded, languid expressions — were always shot through with contemporary anxieties. Or, at least, confine themselves to a raised eyebrow.

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I think he goes further than others at the time.

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Even if Solomon was celebrated by the Pre-Raphaelites and regularly exhibited in major galleries, critical responses were often uneasy. Much of his public work also carried a surprisingly bold homoerotic charge. Santa Fe Film Festival. You might expect the show to display a gradual opening up, with increasingly explicit or unabashed imagery. It was a very public fall from grace.

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Homosexual desire is a coded presence in many of his paintings, which in portraying classical myths, usually feature effeminate or androgynous young male nudes. Nineteenth-Century Britain was famously prim about sex — and homosexuality in particular. By Holly Williams 5 April While critics might not have been able to come out and frame or label these works as homoerotic or deviant, they nonetheless frequently got their knickers in a twist about them. And, later in life, he also achieved something of a cult status within gay circles.

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